In our Westhill bathroom, a freestanding bath stands against herringbone mosaic tiles, while white cupboards and a large circular mirror define the basin area. The changing direction of the tile pattern draws attention to the bath wall. That makes the starting line of the pattern a visible design decision.
Ask to compare two ways of starting the pattern on the full wall elevation. Consider what happens at the corners, where small cuts are likely and how the pattern sits behind the bath’s outline. A layout centred on the room might read differently from one centred on the bath. Check both from the doorway, where the outline of the bath and the pattern will be seen together. An agreed starting point can make a familiar tile design feel fitted to the room.
